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Las Meninas: A Fantasia in Two Parts, by Antonio Buero Vallejo
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most elegant moving and spectacutar
- Sales Rank: #4014219 in Books
- Published on: 1987-11
- Ingredients: Example Ingredients
- Original language: English
- Dimensions: 9.25" h x 6.25" w x .50" l,
- Binding: Paperback
- 108 pages
Language Notes
Text: English, Spanish (translation)
Most helpful customer reviews
4 of 4 people found the following review helpful.
A playscript that made me cry
By Moeskido
To begin with, I should say that I am a nonprofessional stage actor, and I've just finished appearing in an 8-performance run of this play Off-Broadway in Manhattan. Mr. Holt, the translator, was in attendance throughout, this having been the play's American premiere.
The story is a speculation on the life of Diego Velazquez, a major figure in art history. Buero Vallejo's plot makes use of what little is known about the man to suggest the possible repercussions of his unorthodox work for King Philip IV's court. Petty individuals conspire to condemn a man whose vision and unwillingness to compromise are interpreted as disloyalty to the Crown. There are similarities to "A Man for All Seasons" and "Beckett" in the ensuing conflict between loyalty and integrity.
The second time I read through the play, its emotional climax (in which the painter Velazquez eloquently defends himself to the Inquisition) brought me to tears. During our production's rehearsals, I was fortunate enough to be asked to fill in for absent actors, so although my actual role was a supporting character (a beggar who is telling this story to the audience), I had the pleasure of reading the lead (Velazquez) as well.
The story is not a happy one; the titular painting (an informal portrait of one of the king's daughters and her servants) is described as "a calm painting; but with all of Spain's sadness within it." Velazquez himself describes his people as "sad hypocrites." The author, who wrote this play in 1960, had a few things to say about social injustice, and his nontraditional use of one of Spain's major historical personalities was not universally well-received at the time.
The translation is somewhat formal; there are remnants of what I imagine are formalities from the original Spanish. I didn't consider this a problem; the story takes place in the 17th century, and there should be differences from modern colloquial speech. Unfortunately, the plot somewhat soft-pedals the Spanish Inquisition itself; there is perhaps not enough reference made to the frightening excesses that were committed in the name of religion. One wonders if Spaniards have as much trouble dealing with the Inquisition as elder Germans have had acknowledging the Holocaust.
I would recommend this play to anyone who is looking for a story that is more than just light entertainment, and who doesn't mind reading a playscript as opposed to prose. It was certainly a joy to perform.
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