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Oreo (New Directions Paperbook), by Fran Ross
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A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City
Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other.- Sales Rank: #83222 in Books
- Published on: 2015-07-07
- Released on: 2015-07-07
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .80" w x 5.60" l, .0 pounds
- Binding: Paperback
- 240 pages
Review
“A brilliant and biting satire, a feminist picaresque, absurd, unsettling, and hilarious ... Ross' novel, with its Joycean language games and keen social critique, is as playful as it is profound. Criminally overlooked. A knockout.” (Kirkus (Starred Review))
“Oreo is one of the funniest books I've ever read. To convey Oreo's humor effectively, I would have to use the comedic graphs, menus, and quizzes Ross uses in the novel. So instead, I just settle for, 'You have to read this.'” (Mat Johnson - NPR Books)
“With its mix of vernacular dialects, bilingual and ethnic humor, inside jokes, neologisms, verbal quirks, and linguistic oddities, Ross's novel dazzles…” (Harryette Mullen)
“It took me two years to "feel" Wu Tang's first album, even longer to appreciate Basquiat, and I still don't get all the fuss over Duke Ellington and Frank Lloyd Wright. But I couldn't believe Oreo hadn't been on my cultural radar.” (Paul Beatty - The New York Times)
“Hilarious, touching and a future classic.” (Vanity Fair)
“Think: Thomas Pynchon meets Don Quixote, mixed with a crack joke crafter. I'm not sure I've ever admired a book's inventiveness and soul more.” (John Warner - Chicago Tribune)
“The novel will endure, greeting each new generation of readers with its continuing relevance.” (Amanda Sarasien - The Literary Review)
“Hilariously offbeat. ” (Essence Magazine)
“This is a novel that refuses to be categorized or tamed in any way.” (Bookforum)
“Oreo has snap and whimsy to burn. It’s a nonstop outbound flight to a certain kind of readerly bliss. It may have been first published more than 40 years ago, but its time is now.” (Dwight Garner - The New York Times)
“Uproariously funny…criminally neglected.” (Stephen Sparks - LitHub)
“This novel has wings.” (Dwight Garner - The New York Times)
About the Author
Fran Ross (1935–1985) grew up in Philadelphia. She wrote Oreo while working as a proofreader and journalist, and then moved to Los Angeles to write for Richard Pryor.
Danzy Senna is the author of several books, including the award-winning novel Caucasia.
Harryette Mullen, a professor of English at UCLA, is the author of six collections of poetry, most recently Recyclopedia, which won a PEN Beyond Margins Award
Most helpful customer reviews
21 of 21 people found the following review helpful.
Overlooked mulilinguistic odyssey
By Paul Goble
Oreo is the name of a brilliant black-and-Jewish girl who sets out in search of her father. The story is an absurd picaresque quest, overtly paralelling the journey of the Greek hero Theseus.
Oreo isn't for everyone. You'll enjoy Oreo if you like puns, enjoy linguistics, appreciate mythological allusions, or like thinking about the sociology and history of racism in America.
The writing is full of multilingual puns and linguistic twists. I constantly felt that I might be missing some of the jokes due to ignorance of one or another language. To catch everything, one would need to know English, Black Vernacular English ("Jive"), Yiddish, German, French, Italian, and who knows what else. For example, one character in the book speaks entirely in English words, but used translated French idioms. Another typical example: a shopkeeper tucked his hands next to his "stove-bellied pot." Even Oreo's last name is a pun: Schwartz (German and Yiddish for "black"). Occasionally the writing snaps into the author's voice and becomes explicitly self-conscious.
I enjoyed the variety of mental practices exercised by the characters--"head equations," rationalizations, and observation games to pass the time.
Suggestions for readers: Do keep a Yiddish dictionary nearby (The Joys of Yiddish by Leo Rosten was a good choice for me). Do review the story of the journey of Theseus (see Wikipedia or the author's key at the back of Oreo). Do not read the foreword before you read the book.
The foreword (2000 printing, by Harryette Mullen) seems deliberately designed to suck the life out of the text. It's wordy, more analytical than insightful, and contains spoilers.
I discovered Oreo through a 2011 review on NPR, which proclaimed it ahead of its time and one of the funniest works ever written. I agree that it's funny, but not that funny. I downgraded my rating due to one chapter of explicit pornography which added little to the story.
13 of 14 people found the following review helpful.
Great rediscovery
By Avals Sher
It's great that the book is being reissued. It's as timely now as it was in 1974. The coming of age story of a daughter looking for her father in New York is timeless and written in such humorous way that it's no surprise that the author was writing for Richard Pryor. The novel is also one of the food novels that makes one forget when it was originally written given popularity of the genre today. The author loves the English language and so it's a pleasure to read. It's sad that the author only published this one novel and died in 1985 at age 50.
15 of 18 people found the following review helpful.
Why has this not been on everyone's top ten list for decades?
By Su Friedrich
It's brilliant! So witty, erudite, original...I don't want to keep adding superlatives. Suffice it to say that it's delightful to read and a major addition to the field. Or was, and then was lost, and thankfully has now been reprinted so all of us can experience it.
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