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Parents and children are still just as deadly but they are no longer invariably polite and restrained, and there are no longer (as Cyril Connolly once put it) "atrocities witnessed at tea in the drawing-room."
Christopher Isherwood was only twenty-one when he began his first novel, All the Conspirators, in 1926; it was published in England two years later. In his introduction to the first American edition (published by New Directions in 1958), the author explained: "[All the Conspirators] records a minor engagement in what Shelley calls ‘the great war between the old and young.’" In many ways this novel (like the classic Berlin Stories) is a "period piece" growing out of a particular historical situation––clashes between parents and children are still just as deadly but they are no longer invariably polite and restrained, and there are no longer (as Cyril Connolly once put it) "atrocities witnessed at tea in the drawing-room." But Isherwood's singular perceptions of the older generation holding on and the younger trying to wrench free are as valid today as they were half a century ago.
- Sales Rank: #2112683 in eBooks
- Published on: 2016-01-11
- Released on: 2016-01-11
- Format: Kindle eBook
Review
“A novel of adolescence, of family life among the New Poor, of atrocities witnessed at tea in the drawing room. A profound but not impartial book.” (Cyril Connolly)
“In Isherwood’s work, a magic potion of history and invention, the voice is clear, and no matter how many times we hear it, it always seems to be speaking for the first time.” (The New York Times Book Review)
“The best prose writer in English.” (Gore Vidal)
“Isherwood’s best critics, Gore Vidal and Elizabeth Hardwick, have characterized his work as journalistic and objective, and indeed his writing can be read as a series of dispatches from the gay front.” (Hilton Als - The New Yorker)
About the Author
Christopher Isherwood (1904-1986), perhaps the first major openly gay writer to be read extensively by a wider audience, was one of the most distinguished authors of the twentieth century. His literary friendships encompassed such writers as W. H. Auden, E. M. Forster, Stephen Spender, Tennessee Williams, Truman Capote, and Somerset Maugham.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Early Isherwood
By Charlus
This is what is known as a completionist novel: one reads it to have completed reading all of Isherwood's fiction. Isherwood was a very good novelist with two masterpieces on his plate: The Berlin Stories and A Single Man. The rest are never less than competent and always have his wry wit and intelligence(his memoir Christopher and His Kind is fascinating).
This early work (his first novel) reads like many 20's novels with highly theatrical, self-involved characters interacting in scenes that would work better on stage than between the covers of a book. That none of them are particularly sympathetic may be off putting for some. Even Isherwood, in his self-deprecating introduction to this edition, is half-apologetic about the experimental styles used intermittently and unsuccessfully.
The plot involves the son of the house, Phillip, who wishes to escape the office where he works, torn between pleasing his oppressive mother and the dreams of becoming an artist (writer AND painter, mind you). His ally is his sister, Joan, who likewise is torn between two suitors, a cynical med student and a stuffed shirt Cambridge man. The climax is out of a 30's film and totally absurd.
And yet there are the seeds of the novelist Isherwood would become, the precocity of this early writer (he started the novel when he was 21) on display in a few wonderfully written scenes and the satisfaction of seeing where his talent began.
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